Until now, neither music psychology, film psychology nor neuroscience has profoundly explored the original power of sound design in scientific research. Additionally, filmmakers and sound designers have summarized their practical implicit experiences about the viewer's emotions and reactions, which can be evoked by sound (Chion, 2012 Görne, 2017 Holman, 2010 Lynch, 1998 Raffaseder, 2010 Steinitz, 2015 Sonnenschein, 2001). a balanced mix of music and sound effects) has only been investigated in a few publications in scientific literature (Brauch, 2012 Cohen, 2006, 2010, 2015 Flückiger, 2007 Hoekstra, 2012). However, in the past one hundred years the impact of music on the viewer's perception has mostly been at the center of interest. SINCE the start of talking movies in the 1920's, the audio track and its influence on film perception has been a strong topic in research activity. Submitted 2018 September 20 accepted 2018 October 17. The findings point to the importance of sound effects in an appropriate mix with music to enhance the viewers induced immersion and suspense. In contrast, the median immersion values were increased up to 3.6 times. The median suspense values of the video with either music or sound effects dropped by 40 percent compared to the median suspense values of the null version. The video with full sound design audio tracks increased the median immersion values up to four times and the median suspense values up to 1.4 times. These values were always compared to the induced emotions of the participants who watched the videos with no audio at all. A 3-factor-ANOVA showed significant increases of the median (and maximum) values of immersion and suspense when the participants listened to music and/ or sound effects. The participants moved a marker on the tablet's touch screen in a two-dimensional rating scale describing their felt immersion and suspense. The lead author employed a tablet-computer with the emoTouch-application serving as a mapping tool to provide information about the emotional responses. Each participant viewed an audiovisual combination once to prevent habituation. This study tries to establish some guidelines on sound design: In an experiment 240 participants gave feedback about their emotions while watching two videos, each combined with four different audio tracks – music, sound effects, full sound design (music and sound effects) and no audio (as the comparative "null" version). ABSTRACT: The art of sound design for a moving picture rests basically on the work experience of pragmatists.
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